Copyright for all art images are retained by the artists. June through
September 2008 Tuesday,
September 23, 6-11pm "La Vida Nueva" is a women's weaving cooperative from the Zapotec community of Teotitlan del Valle, in Mexico's southern state of Oaxaca. This traditional indigenous community is known world wide for its long line of weavers. Patterns, techniques, tools and the "habit" of weaving have been passed down through the generations...click to see gallery and full article (***100% of purchase
directly benefits Zapotec women artists) ![]()
Sunday,
April 20, 2-4pm FireWorks is excited to exhibit the work of Alan Kapuler, cultural visionary and icon of the organic movement. On display from April 1 to Mid-May 2008, Kapuler's works in acrylic provide a fascinating journey into architypal symbology drawn in great part from his immersion in the local Corvallis community. Many works include Kapuler's family, musicians and friends. Th reception will feature
live music and finger foods by Chef Intaba. Kapuler will discuss
his work. House-infused cocktails, local wines and craft ales
will be available from FireWorks bar. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() Thomas Kramer has been described as smooth folk and blues guitar with hints of country twang, heavily influenced by the likes of Eric Clapton, Johnny Cash's American albums, and Creedence Clearwater Revival. This is compl
The recent drawings of Schenkel Wolfe record an inner journey of experience in visual narrative. Her current gallery show at FireWorks entitled "Redeeming the Child: Visual Images of Growing Awareness" represents retrospective to present. The Jungian paradigm provides Schenkel Wolfe with an interpretive basis for her symbolic images. Giclee prints are available for purchase. A reception for the artist
will feature complementary finger foods and cocktails for purchase.
For more information call 541-754-6958. ![]() ![]() ![]() ![]() ![]() ![]() ![]()
Frances Stilwell Frances' show featured
pastels and oils of Oregon native plants, with a special focus
on Benton County flora. The show includes many works from "Come
Walk Through Spring with Bessie Gragg Murphy and her Willamette
Valley Wildflowers", illustrated and written by Frances
Stilwell in 2001. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]()
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"Earth is a natural material for
sculpting and the combination of earth with sand and straw provides
an extraordinary structural flexibility that dissolves the division
between sculpture and architecture. The work with patterns has
been an inspiration reinforced from many corners. The garden
is full of pattern, rhythm, form, and endless variety..."
Pam's work explores an ever-unfolding world of texture and color. Pam favors oil but also works in colored pencil and graphite in her realistic renderings of flora, fauna, and human figures in a fascinating variety of activities and expressions.
Illustration &
Design by Seth Deutchman Left: Snow Queen in Pastel, Seth Deutchman, 2005 Serigraphs by Bonnie
Hall, 1931-2004 Bonnie Hall was born an artist. Though never formally trained, from her earliest school days she showed an innate talent for capturing life and transmitting it to paper. Through a nearly 40-year career as a scientific illustrator she regretted that her intensely detailed black-and-white drawings, though essential to the science, were shut away in scientific journals "very badly needed by very few people". When she discovered color serigraphy, she found her life's mission.
"My subjects are native wildflowers and the occasional butterfly. In the tradition of natural-history portraiture, each rendition is faithful to form, color, and defining characteristics of the species. The ideal is an artful composition, rather like a family portrait that reveals personality, life stages, and the very essence of the subject. Motivation for my work stems from a desire to celebrate the overlooked, undervalued, or threatened little natural treasures in our Pacific Northwest landscape. May it both delight and inform."
The painting philosophy
of Diane Hoff-Rome and Gordon Dobbie is best described in a quote
from the late English writer Kathleen Raine's essay in Towards
a New Landscape: "The work of the artist is not to reproduce
what everybody sees, but to heal the soul; to remind us, as it
were, of our native country - the world of the spirit - and tell
us that it is there all the time." These paintings span
a period of 2 years at work int he dramatic landscapes of Scotland
and Oregon and at their studios at Dun Hallin on the Isle of
Skye, Scotland and in their new studio on Dun Monro, in Monroe
Orego
Philomath artist Lee Kitzman's work reflects a deep inspiration and appreciation of the cultures and artwork of China, Korea and Japan. A self-taught potter of 32 years, Mr. Kitzman has traveled to Japan to study a variety of pottery techniques in the famous potter region of Mashiko. Travels to Europe and the Middle East have further enhanced his understanding of art and its relationship to pottery world wide. The classic Asian form which utililzes grace and simplicity is a dominant style in Mr. Kitzman's pottery. Raku has been a long-time specialty and trademark in which Mr. Kitzman incorporates his unique glazing technique and Sumi brushwork with the process. His pieces are individually fired and decorated with hand-painted scenes of bamboo, chrysanthemum, cherry blossoms and geometric patterns. Crazing of the glaze serendipitiously balances his controlled hand-painted designs. Ocean and Intaba are
honored to host Mr. Kitzman's exhibit, over a dozen pottery pieces
which beautifully adorn the hand painted Lazure walls of FireWorks
dining room, as well as complementing the restaurant's natural
clay sculptural features and earthen wood fired oven. Ocean chose
the restaurant's earthen patio bench as an ideal backdrop when
he photographed the pieces for this website. To inquire regarding
purchase please contact Lee Kitzman: (541)929-5507
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